In a Landscape

2010 / audiovisual performance / music composed by John Cage and performed by Angelica Vasquez on harp

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IN A LANDSCAPE was composed, together with Cage’s Suite for Toy Piano, at Black Mountain College, North Carolina in 1948. Cage was at the college to present a festival of music by Eric Satie, a composer whose influence can be heard in the meditative and hypnotic study for solo piano. Black Mountain College was recognized as one of the leading progressive schools in the States, and Cage taught there in 1948 and 1952. Lou Harrison was head of its music department in 1952 and he staged what is considered to be the first ever multi-media happening with participation from John Cage, Merce Cunningham, David Tudor, and Charles Olson.

http://www.vimeo.com/14065965

Gamila

http://www.vimeo.com/8199804

2009 / concert at State-X New Forms, The Hague / music: Gamila

Melissa

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2007 / audiovisual performance / sound: Jeroen Uyttendaele

Melissa explores the possibilities of translating written text directly into both visual and audio composition. Using Morse code sequences to encode a newspaper article into signals, the text is transformed into the score of a musical piece, and provides the structure for generating live imagery.
The article describes the murder of a young girl named Melissa. Banned on a page of a daily newspaper, the tragedy is converted to mere information. Through the translation of words into sound and video, the source material is abstracted, but still contains the whole information of the former text.

One Month House

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2008 / audiovisual performance / ca. 20 min / sound: Jeroen Uyttendaele

For the live cinema piece One Month House, the deconstruction of an appartment block was filmed for the duration of several weeks. The time lapse footage of the webcam, capturing one frame every minute – is a record of the breaking down process, as well as a document of the passing of time, seizable in the fluctuations of the changing light. By the means of a custom image analysis software, these variations in image intensity are transformed into audio signals and used as a layer of the composition. Thus, the play of clouds, the flickering sun and day-night rhythms are translated into a fragile interplay between images and sound, in which the deconstruction is abstracted.